rudxane

Tych started as an exploration of the collaboration between human and computer in generative work. Tych is an attempt to bring personality to a generative system, combining fundamental aspects of computer generated art (Grids and high frequency of repetition) and human created art (Inconsistency and random misalignment on each stroke).

From the Front Lines of Art Blocks Anonymous (originally written in Fall 2021)

Four events in the summer of 2022 placed fxhash-based generative art in the spotlight, putting the relationship between the legacy art world and generative art community into focus. While large legacy art world institutions (Art Basel, Sotheby's, Christie's) have begun embracing on-chain generative art, the dealer sector remains skeptical. How can a bridge of appreciation be built between these worlds to ensure an inclusive future of creativity?

I am immensely excited that after being with fxhash since the start, almost ten months later, I am joining the team to wear my many hats full-time! This means I will engage with the team behind the scenes and continue my work with total commitment. Just as importantly, going full-time allows me to further immerse myself within our community to continue building a platform that best represents the needs and wants of the creators, collectors, and curators who call fxhash home.

Learn more about the creator behind rings(∞), Tych, Disrupt, "unfinished", Garabatos and many more generative collections...

Building upon the initial interview with generative artist and founder of the fxhash platform, Ciphrd, in December 2021 by @aljaparis and @delta_alpha_ohm, we expand and reflect on the evolution of fxhash this year.

Women of Iran, as I started writing the first edition of this article on Sept. 26, have been fighting and protesting in hundreds cities in Iran and around the world for days for their rights for freedom after 'Mahsa Amini' , An innocent 22 year-old woman, brutally was killed by morality Police in Tehran on Sept. 13, 2022, a week before her birthday. *100% mint and secondary sale of this article will be donated for these brave women.

In this article, I'll give a brief overview of creating my latest project, September: the inspiration behind it, the early development of the idea, and finalizing all the small details, while sharing lots of work-in-progress images along the way.

A Year of Rapid Innovation in Generative Art: a gallery show curated by Tender at Bright Moments Venice Beach, coinciding with the live minting of Piter Pasma’s new fx(hash) release Industrial Devolution. The exhibition text below sets the context for those just introduced to fxhash, and shares an evolutionary narrative about the leaps of innovation continuing to release on the platform.

No one sees the imperfections like the artist does, but is there a way to reach perfection?

I developed an algorithm that performs raytracing/raymarching of SDFs, to produce hatched line art SVG output. This is the story of how I got from not there, to there.

A comprehensive compendium of questions and concepts for consideration during the creation, curation and coding of generative collections.

A short essay about how generative art sits in the greater context of art, and how it's been shaped through 2021 and 2022 by the blockchain and NFTs.

I originally published this article on Medium, December 14, 2021. During that time, the floor price was below 5 tez, so I released my spotlight on BINGO under the title "fx(hash) undercurrents". For today's BINGO first anniversary, I'm bringing this article "home" to fx(hash). I hope you enjoy reading it.

As part of our fourth exhibition "Issue #04 Intersection" Rudxane joins TGAM for a casual conversation about his practice and generative art.

Interlocutor is a series about curiosity and dialogue that focuses on my use of smartphone cameras and stock photography apps to create generative photographs. The process is tied to using the apps in ways that the designers did not intend. This sometimes crashes the application causing glitches and "bad outputs". The challenge of Interlocutor is to define a set of instructions that will allow others to create images that work within a collection. This series relies heavily on contributors and makes use of the Teia collab contract for those mints.

The fourth edition of our signature event “Issue” marks an important moment in the generative art ecosystem, it has proven that it is not hype or a temporary trend we’re experiencing, and as digital art keeps penetrating our society, many possibilities are unfolding above the simple act of collecting.

This article provides a non-technical overview of “Impressions of Order”. I start by discussing some of the conceptual underpinnings and inspiration for this project, before providing an easy-to-read overview of the core algorithm and showcasing some of the finer details and project features. I then wrap-up with some tips and recommendations for printing.

TGAM turns one and what a year has been. On the 31th of December 2021, a group of developers and engineers started "The Generative Art Museum", a project dedicated to spread the word about generative art. At that time, generative art was pretty much unknown. Our mission: to change that.