Lines without anti-aliasing move around on the screen, leaving afterimages. It is like a simple UI or a microorganism moving around in a microscope. I named it "Dance" because of its joyful movement.

I started this work when I saw Georges Braque's work "Fox" and thought that it had something in common with the coolness of HUDs.
In addition, I was conscious of the problem of digging out the pixels that were being deceived by illusions, so I reproduced the aliasing of the lines.
The size of the jaggies changes randomly, and the afterimages are controlled on a pixel-by-pixel basis. Contrary to the impression of "roughness" given by the work, the pixels, which are the smallest unit of the display, appear in the full surface of the work.