joey zaza

A deep dive into the experimental score for dance and how it is a form of generative art for live performance. cari ann shim sham* shares the process of creating "gorgeous creatures" - a generative dance for creating sacred space - and discusses the use of generative NFTs from fxhash as devices for sound and visual production for the proscenium.

I remember the first weekend of fx(hash). The funny thing is that I don't need to tell you the story. I documented the whole thing on twitter. Enjoy all the naivety:

Some thoughts on the historical technology of the broadside re: possibilities for web3 publishing and upcoming literary projects.

This piece is an extended, updated version of an article, originally published on 'Becoming Human: Artificial Intelligence Magazine'. The text aims to understand generative intentions and methodologies within the visual arts from an epistemological perspective, by introducing early examples of artworks, algorithmic thinking and cognitive aspects of complex systems and decision making mechanisms.

k3rnel is a continuation of my ongoing investigation on some of the new possibilities within dynamic formats. This piece is constructed using several autonomous systems and computational concepts that are about to be introduced below.

‘tur1ng’ consists of audible image architectures based on the principle of Turing machines. These systems are mathematical models of computation that manipulate symbols on a strip of tape according to a table of rules. The following text is an overview of the process on turning a generative token into a physical installation to be placed into real-life environments.

劉乃廷 (Liu Nai-Ting) is a web developer, generative artist, and overall creative from Taiwan. They have created a few well known FxHash works including "the generative octopuses" and "Shape Study". Collecting this article supports the artist & coral restoration.

Störungen is German for "disturbances" and accurately described the core intention of this piece.

八火堂製作時に考えたことの箇条書き。

A companion piece to episode 37 of our weekly podcast. Follow along while you listen to the show, and consider purchasing this article to help support the show!

The published declaration of the intentions, motives, and views of UBERMORGEN on methodologies, art production, products & projects, politics of being, legal issues, mass media, gesamtkunstwerk, media hacking, actionism, responsibility, the body and the network, curiosity & technology and goals.

This is a write-up about my recent project 'Solitude' on fxhash - the inspiration, making of, and other random tidbits about the project.

The Museum of Tezos ARTFKTs INTRCTV collection recently hit 500 OBJKTs and GENTKs and then kept going. Here are some personal favorites from the FXHASH collection.

Capturing clouds... an old dream of mad scientist... coming true... But wait... are they real clouds ? Maybe... maybe not... Is it the real life ? Is this just fantasy ? Cables and Clouds has been published on June 23, 2022 with a 256 editions size. This article will review the details that can be found in the whole Cables and Clouds collection.

POEMS IN THE PUBLIC DOMAIN [PITPD] is a brick-and-mortar love letter to reading. Behold the masonry—as told in two parts by Ana María Caballero and Jason Sholl (AKA hieroglyphica).

👋 fx(update) is a community newsletter bringing you platform updates, bug fixes, integrations, upcoming product releases, and more. This issue covers upgrades from our recent development cycle, a recap of Live Minting Experiences, new team hires, and a sneak peek at the fxhash 1-year anniversary plans.

This is mowna's first exhibition on the Tezos blockchain. We were drawn to Tezos for its #CleanNFT, the blossoming experimental art scene, and the exciting generative artwork coming from the fxhash platform. The artwork that is being made on the Tezos blockchain is among the most interesting to have been created, with artists pushing the limits on technologies, financial models, culture, science, nature, philosophy, media, communication, and more.

We know that generative art has a rich history, but what of generative music? It too shares a rich history, yet remains a passive subcomponent within generative arts, playing an auxiliary role, or even, occasionally, added to works as an afterthought. Yet I’ve found many examples -- on both Ethereum and Tezos -- where musical elements have become more of the primary focus. Join me as I rifle through some select choices, after offering a bit of history and context to it all.

An interview with Shihtung, Peter Wu and Hung Yu Hao. On October 27, 2022, BlockTrain invited 3 artists to discuss why NFTs need exhibition. Through the discussion, it provides more possibilities and imagination for the future of curation.

WTBS is celebrating a year of fxhash with platform founder, and returning guest, ciphrd. Join us as we look back at the 1.0 features, talk about the greater market, and look ahead at what's to come in year two. Interested in fx(params), consumable tokens, and the future of live events? Read the interview below to learn more and, as always, collecting this article is one of the best ways to support the show!

When I started this publication, I announced that it would be weekly-ish. It's definitely been "ish" for this latest instance. Life, as it does, got in the way. This issue is a departure in another way as well. I have previously highlighted a set of artists, and I will be doing that again in future. In this issue, however, I want to highlight the broader issue of under-represented artists on the fx(hash) platform and suggest some ideas for creating a more diverse community.