anaglyphic

Defining and implementing abstractions is more practice than elaboration. Interfaces built through formal languages are shaped by a shared praxis whose consensual lessons are established as standards. The use of such normalised means to create art pieces is hence an intuitive deviation: tools fashioned as means to an end are often used for purposes that appear to be the exact opposite of their raison d’être. Recent technosocial developments have enabled the tentative burgeoning of an economy nurturing these deviant applications. A new wave of the so-called “generative art” milieu is attempting to mobilise both factors of production, capital and labour, to augment the manufacturing of such algorithms. While the nature of each factor is apparently unremarkable, their intersection in this space does yield an idiomatic result. Humans and tools which are engaged in this practice, because they are incentivized to systematically share the outputs of their research, participate in the transformation of both factors and, as such, in their own. The generative art milieu is building an attempt to seize the means of generation.

The anaverse is a collective generative art project. It sets up a frame made of a three immutable constraints for artists to cope and play with. In its simplest and most abstract form, the anaverse is a question asked: what does your art look like in a generative and textureless three-dimensional world?

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A short story - feel free to take this Passage into my Fx-Universe. I am very happy to have collected all this amazing art over the last couple of months. I found this a fun and different way of showing it off.

Women of Iran, as I started writing the first edition of this article on Sept. 26, have been fighting and protesting in hundreds cities in Iran and around the world for days for their rights for freedom after 'Mahsa Amini' , An innocent 22 year-old woman, brutally was killed by morality Police in Tehran on Sept. 13, 2022, a week before her birthday. *100% mint and secondary sale of this article will be donated for these brave women.

All of the artwork I could find in 2022.11 that is in some manner "3D".

I published "adrift" on fx(hash) in September 2022 as a creative collaboration with Adam from Tender Art. The essence behind it is the depiction of human habitat through algorithmic processes. I divided the article into sections corresponding to the simulation phases: terraforming, choosing potential settlement locations, establishing possible connections between cities, and calculating the final urban landscape.

This article serves as a list of generators yielding anaver.se native tokens to be constinuously updated.

It's just a fact. Nothing to be mad about.

Introducing ARTKL.xyz, a semi-editorialised aggregator dedicated to discovery and distribution of content produced via the blockchain. ARTKL’s mission is to champion writers by developing robust tools for readers and collectors, ultimately enriching the long-term appreciation of written works.

People often ask if there is an automatic way to check their fx(hash) reserves. The answer is yes. And this article will show some tools to do it. If you have never used a tool to check your reserves, it’s time to find them.