Greene

I developed an algorithm that performs raytracing/raymarching of SDFs, to produce hatched line art SVG output. This is the story of how I got from not there, to there.

A comprehensive compendium of questions and concepts for consideration during the creation, curation and coding of generative collections.

Capturing clouds... an old dream of mad scientist... coming true... But wait... are they real clouds ? Maybe... maybe not... Is it the real life ? Is this just fantasy ? Cables and Clouds has been published on June 23, 2022 with a 256 editions size. This article will review the details that can be found in the whole Cables and Clouds collection.

Everyone who has looked into Enfantines’ code might have noticed that the tools I’ve used for the development of the project could be described as the very basics of generative art. This is not only because the collection has an educational purpose, but also as it aims at documenting my journey into a field which is new to me. In this article, I’ll briefly outline the concept behind Enfantines, and explore two of the tools I’ve used at length in it: brushes and music.

The fact that things put together explode and annihilate is quite fun, but it can also be seen as a proof that our current universe and its rules couldn't have existed if everything were purely symmetrical.

For we truly see many things detach and cast off matter, not only from their core, but frequently as well from their surfaces, including colour. And this commonly occurs with awnings—yellow and red and dusky blue coverings—which [...]

s p e c t r u m s o f o u r e n t a n g l e d h o r i z o n s — We all live in the same Minkowski cone.

This is an overview on how to use the params of YYYSEED to steer it in the direction you want and gain more control over the output. But only if you want to! Read on to find out more!

Particles, forces, horizon // 🜂 ⇶ ⁂ Ω 🜁 ↺ // ∰ 🜴 🜔 ≋ ∂t ↺